The Listening Zone

Most people feel that actors are born not made. That acting comes natural for those that are actors. That may be true to some degree. Some folks do have natural talent however that talent must be honed and developed. Before going out on auditions you must spend time studying acting as you would study any profession or craft. A part of you that must be developed in order to become a good actor is the art of listening. Listening is the key to understanding the emotions you must be able to evoke.

Listening is not easy for most people. Not just listening but being able is not said. Observing body language and facial expressions is just as important as is the spoken word. Often what is not said is as important as what is said.

Once you are actually acting pick up on what your fellow actors are expressing. Understand what they are trying to convey so that you can work off of them and give the audience a complete understanding of what your role is about.

 

Frequently an actor will leap into a part without really understanding what their part in the script is about. What their character must portray. There must be an objective that an actor must target in his or her performance. Without an understanding of the role in front of them they will not have understanding to head down the path toward their objective. In fact, they won’t have an objective or it will be a wrong one. What will happen is instead of establishing a relationship between themselves and their audience that an audience can relate to the audience will become disconnecting leaving the actor in the cold.

When listening to your fellow actors as parts are read you must learn to understand not only what the words they are saying mean but whatever is unsaid behind the spoken words. You must learn to not just act but react to those words and thoughts in such a natural way that the audience does not  perceive you to be acting but their perception is that they are just observers to what is presented in front of them by real people not actors.

You must divorce yourself from reality while you are in the moment. Get into a zone. If you have ever driven down the road with your mind on things other than driving so you reached your destination without really remembering driving their or at least there was a section of the drive that you don’t recall. Well your mind was in a different place than the reality of driving. In acting you must put yourself into the role so that you are not thinking your acting but you are the character you are portraying. You need to get lost in the role. You need to get into the zone.

The Audition

Among the more common inquiries made is “How to Audition”.  I believe what almost everyone that asks that question is really asking is how an actor or actress can distinguish themselves from the crowd of actors all trying out for the same part.

To begin with, we’ll go over the various kinds of audition scenarios that you might run into as an aspiring actor or actress.  The people who do the casting generally work one of two ways:

1 – They’ll ask for a “cold read”

2 – They’ll ask for a “prepared reading”

What is the difference between a “cold read” and a “prepared read”? A cold reading is when an actress or actors is asked to report to the audition and is given material to read that they have never seen before. Whoever the casing person is they will hand the actor an excerpt from a play or movie that they have come to audition for. This will be down about five minutes before they are to audition. The actor must make an a choices of one or two emotions after he or she reads through the material and rapidly determine what approach they will take to the part and  then during the audition itself they will read from the scripted page.

For a prepared reading the actress or actor is sent the material prior to the audition to memorize and make their choices in which emotions they want to call upon when they read the material they have been presented with. Although they are expected to know their lines verbatim the actor or actress will be able to keep the script in front of them just in case them must quicly refer to it. Its only a back up as they are expected to know their lines.

What approach should you take for each of form of audition that you might encounter?

To start with “cold reading” is a skill to be mastered and calls for a lot practice till you reach a point of confidence. You need to learn how to “pick up” quickly pick up a line from a page. In practice you need to read the line while looking at the script then look at the person your practicing with or who is reading opposite you and then go back to your script. Don’t keep your head buried in the script but look at the person your reading with when they are doing their lines.

This is a skill that can be developed by lots of practice reading anything you can get a hold of, even a newspaper. Practice until a cold reading becomes comfortable.

You also have to learn who to pick the correct emotion to use for the part you are reading for.

Just think about it. Your line is “I love you” when your doing a scene that says your character is on the brink of a break up and you character does not want to.

Now you’re doing the same scene but your character does want to break up.

Now you doing the same scene but you were caught cheating by your partner.

Now you doing the same scene but you caught your partner cheating.

Now you doing the same scene but your character killed your partners brother by accident.

Each on of these possible scenarios requires that you make a different emotional choice when saying “I love you”. You choice are going to depend on what is happening around your characters.

Do you love that you are breaking up?

Do you detest the break up?

Are you in the wrong and do you feel guilty?

Adrian R’Mante • Filmography

Life at the Resort (completed)
Miguel

2010 The Suite Life on Deck (TV series)
Esteban

2006-2009 CSI: Crime Scene Investigation (TV series)
Paramedic Rivera

The Descent of Man (2009) … Paramedic Rivera (uncredited)
Deep Fried and Minty Fresh (2009) … Paramedic Rivera (uncredited)
Law of Gravity (2007) … Paramedic Rivera
Built to Kill: Part 2 (2006) … Paramedic Rivera
2005-2008 The Suite Life of Zack and Cody (TV series)
Esteban / Esteban Julio Ricardo Montoya De la Rosa Ramirez / Hot Peepers

Orchestra (2007) … Esteban
Team Tipton (2007) … Esteban
2007 Wish Gone Amiss (video)
Esteban

2007 CSI: NY (TV series)
Besim Lumani

The Deep (2007) … Besim Lumani
2007 24 (TV series)
Omar

2005 JAG (TV series)
Marine Lance Cpl. Frank Medina

Two Towns (2005) … Marine Lance Cpl. Frank Medina
2005 Alias (TV series)
Diego

The Orphan (2005) … Diego
2004 Summerland (TV series)
Boyle

Yummy Mummy (2004) … Boyle (uncredited)
Fireworks (2004) … Boyle
2004 Straight-Jacket
Hector

2003 Frasier (TV series)
Servant

The Doctor Is Out (2003) … Servant
2002 S1m0ne
Premiere Audience Member

2002 Madison Heights (TV series)
Eddie

Echoes (2002) … Eddie
Street Smart (2002) … Eddie
2002 The Diplomat (short)
Rome

2001 All or Nothing
Ice

2000 Big Wind on Campus
Johnny Alpha

2000 The Huntress (TV series)
Carlos

Bad Boys & Why We Love Them (2000) … Carlos
2000 Battery Park (TV series)
Paul

Walter’s Rib (2000) … Paul
Black Monday … Paul
1999 Moesha (TV series)
Male Student #1

Just Above My Head (1999) … Male Student #1
1999 Profiler (TV series)
Cop

Burnt Offerings (1999) … Cop (uncredited)
Show ShowWriter (2 titles)
Show ShowDirector (1 title)
Show ShowProducer (1 title)
Show ShowEditorial Department (1 title)
Show ShowSelf (5 titles)

From A Talent Agency in Orlando!

Adrian,

Your Celebrity Actors Camp is the only place Chrome Talent Looks for our kids and teen talents.  I have gone to 5 of your camps now, and each time I go I try to gather as many of the talents I can! The reason being, is your talents and their parents are ready to work. They are well versed in the knowledge of how to book jobs.  They are always prepared with their monologues, polite, and very considerate. Since Chrome Talent has been attending Celebrity Actors Camp our kids and teen booking ratio is up 95% from before. Recently we have booked 8 kids from C.A.C on a Universal Studios Commercial, 2 on a Snapper Commercial, 2 on a Brighthouse commercial, several film projects, just to name a few.  They are all constantly requested for auditions and callbacks! Chrome Talent could not be happier to work with Adrian and Celebrity Actors Camp and I’m super excited to attend the next camp in January!

Sincerely,
Jai Saint
Executive Director
Chrome Talent Management
Orlando, Florida